Faculty & Guest Artists
Cecylia Barczyk (Artistic Director, Cello, Chamber Music)
Prof. Cecylia Barczyk has achieved international recognition as a
complete artist, successful teacher, and great humanitarian. She has given
concerts, recitals, and master classes throughout Europe, Asia and the Americas,
including appearances with prominent orchestras in Baltimore, Beijing, Berlin,
Boston, Bucharest, Budapest, Cracow, Ho Chi Minh City, London, Moscow, New
York, Prague, Salvador, Seoul, Shanghai, Sofia, St. Petersburg, Taiwan, Tel
Aviv, Tianjin, Tokyo, and Warsaw. Ms. Barczyk has frequently performed on radio
and television in the USA and abroad. Her recordings have been highly valued by
experts and greatly appreciated by music lovers in many lands. She won top
prizes in prestigious music competitions including the Danczowski Cello
Competition (Poznan), the Pablo Casals International Cello Competition
(Budapest), the Tchaikovsky International Cello Competition (Moscow), the Aldo
Parisot International Competition (Brazil), the J.S. Bach International Competition
(Leipzig), the Cassado International Cello Competition (Florence), and the W.C.
Byrd Young Artists Competition (Michigan). For her musical and pedagogical
achievements, she has received awards and honors from professional, cultural,
and government institutions in China, Germany, Indonesia, Korea, Mexico,
Poland, and the USA. The Maryland Chapter of the American String Teachers
Association named her “Teacher of the Year” (1995, 2005). The Tianjin
Conservatory of Music (China) granted her the title Distinguished Honorary
Professor. The International Friends of the Cello Association granted her the
Award for Great Achievements in Cello Music, and the Minister of Culture of the
Republic of Poland gave her the Medal for Outstanding Contributions to Society
and Culture. She has studied at the Chopin Conservatory in Warsaw, Tchaikowsky
Conservatory in Moscow, and Yale School of Music with Kazimierz Wilkomirski,
Natalya Gutman and Aldo Parisot. Since 1983, she has taught at Towson
University, continuing her solo career while educating young cellists from
virtually every part of the globe. Website
Amit Peled (Cello)
From the United States to Europe to the Middle East and Asia, Israeli cellist Amit Peled – a musician of profound artistry and charismatic stage presence – is acclaimed as one of the most exciting instrumentalists on the concert stage today. At 6’5″ tall, Peled started life as a basketball player and was called “larger than life” when he enveloped his cello and “Jacqueline du Pré in a farmer’s body.” Peled often surprises audiences with the ways he breaks down barriers between performers and the public, making classical music more accessible to wider audiences. Peled has performed as a soloist with many orchestras and in the world’s major concert halls such as: Carnegie Hall and Alice Tully Hall, New York; Salle Gaveau, Paris; Wigmore Hall, London; Konzerthaus, Berlin; and Tel Aviv’s Mann Auditorium. Following his enthusiastically received Alice Tully Hall concerto debut playing the Hindemith cello concerto, the New York Times stated: Glowing tone, a seductive timbre and an emotionally pointed approach to phrasing that made you want to hear him again. As a recording artist, Mr. Peled will release his fourth Centaur Records CD following three hugely successful installments “The Jewish Soul,” “Cellobration,” and “Reflections.” As an active chamber musician, Peled is a founding member of the famed Tempest Trio with pianist Alon Goldstein and violinist Ilya Kaler. Their Dvorak CD on Naxos has been described as “ The best ‘Dumky’ on disc ever!”. During the 2014/15 season, Peled will continue sharing with audiences around the world the sound of the historic cello of Pablo Casals. The instrument, a Goffriler ca. 1733, was personally handed to him by the Maestro’s widow, Mrs. Marta Casals Istomin. Some of the upcoming highlights with this historic cello include a 20-city US recital tour entitled “Homage to Pablo Casals” culminating in a performance at the Kennedy Center in Washington, recording the Miaskovsky Cello Concerto for Naxos, and a return trip to Asia for recitals and performances with the National Symphony of Taiwan to name a few. As an advocate of modern music, Peled will also premier a solo piece written especially for him by composer Lera Auerbach. One of the most sought after cello pedagogues, Mr. Peled is a Professor at the Peabody Conservatory of Music of the Johns Hopkins University. Website
From the United States to Europe to the Middle East and Asia, Israeli cellist Amit Peled – a musician of profound artistry and charismatic stage presence – is acclaimed as one of the most exciting instrumentalists on the concert stage today. At 6’5″ tall, Peled started life as a basketball player and was called “larger than life” when he enveloped his cello and “Jacqueline du Pré in a farmer’s body.” Peled often surprises audiences with the ways he breaks down barriers between performers and the public, making classical music more accessible to wider audiences. Peled has performed as a soloist with many orchestras and in the world’s major concert halls such as: Carnegie Hall and Alice Tully Hall, New York; Salle Gaveau, Paris; Wigmore Hall, London; Konzerthaus, Berlin; and Tel Aviv’s Mann Auditorium. Following his enthusiastically received Alice Tully Hall concerto debut playing the Hindemith cello concerto, the New York Times stated: Glowing tone, a seductive timbre and an emotionally pointed approach to phrasing that made you want to hear him again. As a recording artist, Mr. Peled will release his fourth Centaur Records CD following three hugely successful installments “The Jewish Soul,” “Cellobration,” and “Reflections.” As an active chamber musician, Peled is a founding member of the famed Tempest Trio with pianist Alon Goldstein and violinist Ilya Kaler. Their Dvorak CD on Naxos has been described as “ The best ‘Dumky’ on disc ever!”. During the 2014/15 season, Peled will continue sharing with audiences around the world the sound of the historic cello of Pablo Casals. The instrument, a Goffriler ca. 1733, was personally handed to him by the Maestro’s widow, Mrs. Marta Casals Istomin. Some of the upcoming highlights with this historic cello include a 20-city US recital tour entitled “Homage to Pablo Casals” culminating in a performance at the Kennedy Center in Washington, recording the Miaskovsky Cello Concerto for Naxos, and a return trip to Asia for recitals and performances with the National Symphony of Taiwan to name a few. As an advocate of modern music, Peled will also premier a solo piece written especially for him by composer Lera Auerbach. One of the most sought after cello pedagogues, Mr. Peled is a Professor at the Peabody Conservatory of Music of the Johns Hopkins University. Website
Frances Borowsky (Assistant Director, Cello, Chamber Music)
Cellist Frances Borowsky has made solo and chamber performances in over twenty countries, toured as soloist for the Beethoven Triple Concerto with the Young German Symphony Orchestra, and performed as soloist with the Tianjin Symphony Orchestra as part of Pre-Olympic celebrations in Beijing. Frances has repeatedly been a featured performer at the International Cello Festival at Towson University. Every summer, she participates as an assistant faculty member at the International Music Institute and Festival USA. Throughout her career, Frances has been very much involved with performing, composing, and improvising new music. She frequently performs together with her brother (violinist Emmanuel Borowsky) and sister (pianist Elizabeth Borowsky). Frances has also given several premieres of works by composers from Towson University and Peabody Conservatory. Most recently, she premiered "Sonata for Two Cellos and Piano" by Baltimore composer William Milner. Awards include the Levine Chamber Music Competition (First Prize as part of Trio INUENDI, 2012), Baltimore Music Club Competition (First Prize, 2010), Sylvia and Irving H. Cohen Competition (Second Prize, 2010), and Peggy Friedman – Yale Gordon Competition (First Prize, 2008). She performed her New York Debut at Carnegie Hall in October 2004 as a recipient of the Erick Friedman Prize for Outstanding Young Musicians. At the age of eighteen, Frances graduated from the Honor's College of Towson University, where she stdied with Cecylia Barczyk. Frances received her masters degree in 2011 from the Peabody Institute of The Johns Hopkins University, where she studied under the instruction of Amit Peled. She is currently in a post-graduate program at the Folkwang University of the Arts in Essen, Germany, studying under the guidance of Alexander Hülshoff and Laurentiu Sbarcea. She has also been mentored by cellists Janos Starker, Irene Sharp, Zara Nelsova, Rafal Kwiatkowski, Gunnar Kvaran, and Michael Flaksman. Website
Blanka Bednarz (Violin, Chamber Music)
Blanka Bednarz is an alumna of the J. Kaliszewska Talent School in Poznan, Poland. She holds degrees from the University of Kansas (BM, with Ben Sayevich), and the New England Conservatory (MM and DMA, with Eric Ronseblith and James Dunham). As soloist she has performed with the Connecticut Virtuosi, Symphony and Chamber Orchestras of the New England Conservatory, Gettysburg Chamber Orchestra, Sinfonietta Polonia and Delaware County Symphony. She is an avid chamber musician and a member of the Atma Trio. In 2007-08, Ms.Bednarz was first violinist of the Vega String Quartet, in residence at Emory University in Atlanta (“marvelous foursome” –Strad). Dr. Bednarz has collaborated with renowned artists, such as Barry Snyder, Rita Sloan, Brian Ganz, Cecylia Barczyk, Adrian Levine, David Kim, and Richard Stoltzman, and with the American Virtuosi, Boston Modern Orchestra Project, Chameleon Ensemble, Alarm Will Sound and the Baltimore Symphony. She has performed internationally in a variety of venues, including Jordan Hall in Boston, Beijing Concert Hall, Philadelphia Ethical Society, Weil Hall at Carnegie Hall and Carnegie Hall, and Aula UAM in Poznan. She has appeared in the Highlands-Cashers, Chanterelle, and other festivals, and has performed under auspices of the Chopin Foundation of the United States and the Kosciuszko Foundation. Bednarz is concertmaster of Sinfonietta Polonia. She can be heard on Capstone Records, A.W. Promotions, Acte Prealable, and Musica Omnia. Currently Associate Professor of Music at Dickinson College, PA, Bednarz has taught at NEC's Prep Division, Emory University, the Gifted Music School in Salt Lake City, and has given masterclasses in the USA, Poland, Germany and China. "The violinist charms with beautiful sound, impressive palette of color and extraordinary musicality. " – Monika Mankowska, Twoj Tydzien, Poznan, Poland. Website
Jonathan Carney (Violin)
Jonathan Carney has been hailed as one of the great
Concertmasters of his generation. He comes from a unique musical background;
all six members of his family graduated from The Juilliard School in New York.
After completing his studies with Ivan Galamian and Christine Dethier, he was
awarded a Leverhulme Fellowship and moved to London to continue his studies at
the Royal College of Music. After making successful tours of the Americas,
Europe and the Far East as both leader and soloist with numerous international
ensembles, he was invited by Vladimar Ashkenazy to become leader of the Royal
Philharmonic Orchestra. He made his debut with the orchestra at the Royal
Festival Hall in 1991 and has since appeared as a soloist in many of the
concert halls in Britain and the continent working with conductors such as
Gatti, Kreizberg and Yuri Temirkonov as well as an extensive tour of South
America with Yehudi Menuhin. In 2002 Jonathan started his post as Concertmaster
of the Baltimore Symphony Orchestra. In addition to his recordings for CBS
Masterworks, Decca, ASV and Naxos, he is regularly featured on the BBC and has
most recently recorded solo works by John Cage and Bruno Moderna. He was also
Director of the Royal Philharmonic Chamber Ensemble and has recorded over
twenty discs for Tring International including The Four Seasons, The Lark
Ascending and Mozart’s Third and Fifth Concertos, as well as the Sinfonia
Concertante. New releases include a disc of virtuoso works of Sarasate and
Kreisler, an award winning recording of the Nielson concerto with the
Bournemouth Symphony Orchestra for the Naxos label and Michael Nyman’s The Piano
Concerto with the Royal Philharmonic Orchestra conducted by Carney. An avid
exponent of twentieth-century music, his solo repertoire also includes works by
Lutoslawski, Penderecki, Janacek, Hindemith, Glass, Cage, Takemitsu, Maxwell
Davis, Britten, William Bolcom and John Corigliano.
Emmanuel Borowsky (Violin, Chamber Music)
Emmanuel Borowsky has
been lauded as an outstanding musician of his generation, performing
concerts internationally from a young age. At age ten, he performed
Vivaldi’s A-minor concerto to an audience of over 9,000 people in
Washington D.C.'s National Shrine. At thirteen, he represented North
America at the UNESCO World Child Prodigies Concert in Amman (Jordan)
and was honored with the distinguished Cultural Achievement Award. At
fifteen, he was selected to perform on the nationally syndicated radio
show From the Top, and at the age of seventeen he received the Erick
Friedman Prize for Outstanding Young Musicians and performed his New
York Debut at Carnegie Hall. Emmanuel has been featured as a soloist
with respected orchestras including the Tianjin Symphony Orchestra,
Eisenach Festival Orchestra, Young German Symphony Orchestra, Poznan
Symphony, National Conservatory Orchestra of Jordan, Israeli Soloists
Orchestra, Szczecin Philharmonic, Susquehanna Symphony Orchestra, Loudon
Symphony, Katowice Philharmonic, and Rzezow Chamber Orchestra. His
performance with the Polish Camerata was broadcast internationally by
Pol-Sat TV. Among the awards Emmanuel has received are the Erick
Friedman Prize for Outstanding Young Musicians, Pro Musica Award, Merit
Award from the National Foundation for Advancement in the Arts, Best
Classical CD 1999 (for Pearls of Music), Maryland Young Talent
Competition, and the Montpelier Performing Arts Center Classical Recital
Competition. He has studied under the guidance of James Stern, Mark Kaplan, Jaime Laredo, Gudny Gudmundsdotir, Erick Friedman, Zoltan Szabo, Victor Danchenko, Dorothy DeLay, Herbert Greenberg, Konstanty Kulka, and Roman Totenberg. Website
Sharon Eng (Viola, Chamber Music)
American violist Sharon Eng is a seasoned international strings educator,
clinician, chamber recitalist and conductor.
Her rich musical career has spanned five continents,
including contracts with the American Ballet Theatre and New York City Opera,
and such leadership positions as the Greenwich Philharmonic, Jakarta Chamber
Orchestra and Polish Sinfonietta. Early
in her career, she represented the United States at the von Karajan
International Youth Orchestra in Berlin; and studied chamber music with some of
the leading string quartets of our time: the Juilliard, Guarneri, Hungarian and
Cleveland quartets. In 1998, Eng co-founded Classical Nuances, a unique
trio of oboe, viola and piano that performed in 12 countries including at the
United Nations in NYC, Seoul Performing Arts Center, Athens Opera House, and as
guests of the Sultan’s family in Kuwait.
Splitting her time in several Southeast Asian countries over a 20 year
period, Dr. Eng was professor of violin and viola at the University of Pelita
Harapan Conservatory of Music, and from 1996 to 2010 headed the High School and
Middle School strings program at Jakarta International School, conducting JIS flagship
orchestras in Shanghai, Budapest, Vienna and other principal cities in Europe
and Asia. Her solo viola performances have involved
collaborations with pianists on both coasts of the United States and
internationally, including—among many-- world
premieres of works at Lincoln Center, the Bennington Contemporary Music Forum,
and the 20th Century Consort, solo performances at the Queensland Conservatory of Music in Brisbane,
Australia, solo with orchestra at the National Cathedral in Washington, DC, and
a recital tour of five major cities in Indonesia. Eng has
served on the faculty of the summer International Music Institute and Festival
at Coolfont and at Mount St. Mary’s University in Maryland since IMIF’s inception
in 2003. Eng, earned her Bachelor and Master Degrees in viola
performance at the Juilliard School where she was a five-year scholarship
student of William Lincer and Paul Doktor. Dr. Eng plays on a viola
made in 1978 by Margaret Shipman of Los Angeles. Website
Elizabeth Borowsky (Executive Director, Piano, Chamber Music)
Heralded by the press as “a brilliant young musician with a great personality,” Elizabeth Borowsky enjoys a diverse musical career as a solo and collaborative pianist, composer, educator, and arts advocate.
“Elizabeth's performance and personality dismiss any preconceptions of classical music as elite, or being a music of the past. She is a vibrant and engaging performer and can draw even the most reluctant audience member into her spell.” Borowsky’s scintillating performances have led to invitations to perform as soloist with orchestras including the Israeli Soloists Orchestra, Lublin Philarmonic Orchestra, Polish Camerata, Young German Symphony Orchestra, Tianjin Symphony Orchestra, and Towson University Symphony Orchestra. Her live performance of the Haydn D-Major Concerto with the Polish Camerata was internationally broadcast by Pol-Sat TV. She has been a featured performed at such distinguished venues as Carnegie Hall and The Kennedy Center, and has performed recitals in over thirty countries in prestigious music festivals including Klavierwoche International, the Maryland Arts Festival, Concerti di Primavera, Heidelberg Klavierwoche, Music at the Paderewski Manor, and the International Festival of Music and Architecture in Torun. Borowsky has recorded CDs and DVDs of standard literature, new and/or unknown music, and her own original compositions for ICRecords. In 2005, she was among the pianists invited to participate in the International Chopin Competition in Warsaw and was awarded the Acte Preable Prize for Outstanding Interpretation of Chopin's Music, resulting in her solo album, “Chopin Recital.” As composer, Borowsky has written and published music for piano, violin, cello, piano trio, and string orchestra. She has earned a reputation as an outstanding teacher for young pianists; her students have garnered awards and honors at festivals and competitions. Borowsky has taught at Indiana University, ARTI-ST Music Education, and the Maryland Conservatory of Music. She has been a member of the piano faculty of the International Music Institute and Festival USA since 2003 and was appointed Executive Director in 2010. Website
Brian Ganz (Piano)
Brian Ganz is widely regarded as one of the leading
pianists of his generation. Washington Post critic Joan Reinthaler has written:
“One comes away from a recital by pianist Brian Ganz not only exhilarated by
the power of the performance but also moved by his search for artistic truth.”
Brian Ganz was winner of one of two First Grand Prizes awarded in the 1989
Marguerite Long Jacques Thibaud International Piano Competition in Paris, where
he was also awarded special prizes for the best recital round of the
competition and the best performance of the required work. That same year he
won a Beethoven Fellowship awarded by the American Pianists Association, and in
1991 he was a silver medalist with third prize in the Queen Elisabeth of
Belgium International Piano Competition. After his performance in the finals of
the Brussels competition, the critic for La Libre Belgique wrote: “We don’t
have the words to speak of this fabulous musician who lives music with a
generous urgency and brings his public into a state of intense joy.” Some of
Mr. Ganz’ recent concert highlights include performances of Mozart Piano
Concerti K. 466, with the Memphis Symphony, and K. 467, with the National
Philharmonic Orchestra at the new Strathmore Hall in Rockville, Maryland. In
the summer of 2006 he returned to the Kennedy Center concert hall in a critically
acclaimed performance with the Taipei Philharmonic Orchestra, under the baton
of Yoel Levi. He has also performed with such conductors as Leonard Slatkin,
Marin Alsop, Mstislav Rostropovich, Philippe Entremont, Pinchas Zukerman, Leon
Fleisher, Jerzy Semkow, and Gustav Meier. Website
Frederick Minger (Piano)
Frederick Minger has been well known to Maryland audiences
as a pianist for more than thirty years. He is most widely known as a
collaborative pianist, in particular as a vocal accompanist and chamber
musician. In the years 1976-86 he performed and recorded with the Baltimore
Symphony both as a member of the orchestra and as a soloist. He earned the B.M.
from Oberlin College Conservatory and the M.M and D.M.A . from the Peabody
Conservatory. He studied piano with Leon Fleisher, Miklos Schwalb, and Arthur
Dann; chamber music with Berl Senofsky and Robert Koff; and vocal accompanying
with Alice Gerstl Duschak and Ellen Mack. Dr. Minger taught piano, music
theory, and music history at Towson University from 1971 to 1983. Active in the
Baltimore Music Club since 1998, he was head of the Baltimore Music Club
Competition from 1999 to 2003.
Charles Borowsky (Founding Director, Music Entrepreneurship)
Prof. Charles H. Borowsky, Ph.D. has been internationally acknowledged for his many academic, educational, and leadership achievements. He received several distinctions, awards and honorary degrees from professional, social, and cultural organizations both in the USA and abroad. Borowsky has authored numerous articles and books in the areas of social movements and change, politics and religion, development and quality of life, sociology of culture, and sociology of youth, published in America, Europe, and Asia. He has been on the faculty of prominent universities including Yale University, Massachusetts Institute of Social Studies, and the University of Maryland and has lectured in 66 countries in North America, Europe, Asia, and the Middle East. In 2002, UNESCO/International Music Council published Dr. Borowsky’s works "Creativity and Innovation in Music" and “The Function of Music In Society.” Currently, Dr. Charles H. Borowsky is the President of Intermuse Performing Artists’ Bureau, and also the elected President of the International Friends of Music Association and Senior Advisor to the public and private organization in the USA and abroad.
Andrew Rosenfeld (Interdisciplinary Arts Experiences)
Chair of the Department of Visual and Performing Arts at Mount Saint Mary's University, Associate Professor of Music, as well as Director of the Mount St. Mary’s Chorale and the Seminary Choir, Dr. Andrew Rosenfeld also teaches a wide array of courses in music history and theory and in the humanities. Most recently, he has turned his attention to the study of ancient and traditional music of Andalucía, which in 2001 led him to an extended visit to the Alpujarras, where he became closely acquainted with the region’s rich folk song tradition. Furthermore, his scholarship in traditional Spanish music has yielded highly acclaimed papers and presentations for such institutions as the Foreign Service Institute of the U.S. State Department and the University of Virginia’s College at Wise. This research will ultimately culminate in a book on the folk music of the Spain’s Sierra Nevada region. When not teaching at the Mount, Dr. Rosenfeld can also be spotted as a vocalist with Cormorant’s Fancie, a local Celtic/Irish folk ensemble, and occasionally playing piano with the Fire City Jazz Band, a faculty group. Dr. Rosenfeld holds degrees from the University of Cincinnati, the University of Illinois, and Hamilton College. His conducting teachers include Elmer Thomas, Earl Rivers, John Leman, Paul Vermel, and Chester Alwes; he has also studied voice with Thomas Hauser, Susan Harwood, and Ronald Hedlund.
Elyssa Smith (Performance Psychology)
Elyssa Smith is a musician and triathlete with a passion for carrying the message of mental toughness through the discipline of music, public speaking, and athletic training. As a performance coach with Your Best Moment coaching, she coaches people of all ages and skill levels through the mental, emotional and physical obstacles that stand between them and their goals. As a certified coach, she speaks to athletic teams as well as to performers of all kinds on the topics of mental discipline, positive thinking, and confidence, as well as overcoming performance anxiety. The main part of her practice is to work one-on-one with performers to identify and overcome their obstacles to excellent performance. Through this carefully crafted process, performers are armed with specific skills to work with nerves and pressure to create their best moment, both onstage and off. Website
Mark Krawczyk (Ensemble and Collaborative Skills)
Mark Krawczyk has
performed as an actor in various national and international theatres including
Constellation Theatre, Theater J, Folger Theatre, Baltimore Shakespeare
Festival, Imagination Stage; Everyman Theatre, The Shakespeare Theatre, and the
Tony Award Winning Utah Shakespearean Festival. Internationally Mark has
performed in Edinburgh, Scotland at The Traverse Theatre with the Edinburgh
Fringe First Award winning company Highway Diner in their show 15 MINUTES,
which he also co-directed and devised with the ensemble. Mark was also a
co-founder of the theatre company Without Gas, which performed at various
theatres and festivals in Poland, Slovakia, and England. He has performed in
various commercials and industrial films for various companies and
organizations. His work is not only limited to performing. He also
directed and co-wrote the one man show, Mulatto Child, along with his colleague
and performance artist Paul Diem. Under Mark’s direction the show was
performed at The Chicago Fringe Festival, and in Baltimore. Mark's background
in academia includes receiving his MFA in Acting from Southern Methodist
University, his BS in General Theatre from Towson University, studying abroad
in both England and Poland, and he has taught classes and workshops at schools,
universities, theatres, festivals, and other organizations and events around
the United States and Europe. Website
Lindsay Lusignea (Yoga)
Lindsay began yoga as means to enhance her flexibility and focus in athletics, and now continues yoga as a way of living and as a vehicle to empower others. The vitality and focus she felt after each class continued to bring Lindsay back to the mat. After several months of a consistent yoga practice several times a week, Lindsay's love for yoga became a passion. It was her strong desire to share this practice with the world that was the driving force behind her choice to begin teaching yoga. Lindsay is known for an inspirational style of teaching that seamlessly combines an energetic challenge with an easy, humorous and personable delivery. With her motivational way of teaching, you will leave each class feeling invigorated, empowered and free from within. At the same time her effective hands-on assists and alignment techniques bring new education and awareness to your evolving practice. With a vast teaching background, Lindsay is passionate about teaching two different styles of yoga: Power and Restorative. The Power Yoga classes are a dynamic flowing form of yoga linking your breath with movement, a cleansing sweat, and creating transform from within.You will be guided to the edge of your limits, and explore what is past them. The Restorative classes focus on deep stretching, breathing, and focus in order to bring healing through recovery and renewal. In each class she encourages everyone to be curious about their own capacity for optimal health and access their true greatness.
Andrew Broadwater (Composer in Residence)
A native of Maryland, Andrew Broadwater began piano lessons at the age of six and by the time he was twelve was actively playing five instruments and composing. Before finishing high school, Broadwater would go on to win numerous awards and honors including the Baltimore Choral Arts Society Student Composer Award, recognition as an Emerging Composer from the New York Arts Ensemble, and winning the Cincinnati Conservatory Accent contest for which his music was performed throughout Europe. Mr. Broadwater attended the Peabody Conservatory, receiving bachelor degrees in viola and recorder performance while also studying composition. Throughout his time at Peabody he toured with various early music groups. The Indianapolis Gazette described his playing as having “greatly impressed” and Reine-Marie Verhagen hailed him a “true virtuoso.” Broadwater’s first attempt at scoring for film earned him a top place in the international Indie Gathering contest. From there he would go on to enroll at New York University, earning his Masters degree in Film Scoring. Broadwater’s music has since been used in film, television, radio, websites, albums, concerts, recitals, and weddings. Recent projects include two albums of Broadwater’s own production, Let It Ring and Heartstrings. Broadwater is an active player of the steel pan, participating in both the New York and Trinidad panorama competitions. The steel pan has provided Mr. Broadwater the experience of performing with several illustrious musicians including Ken “Professor” Philmore, Ray Holman, and Yo-Yo Ma. Mr. Broadwater has been on the music faculty at Lancaster Bible College and is currently faculty at Community College of Baltimore County. He also has maintained a studio of private students for over 10 years, teaching violin, viola, piano, bass guitar, steel pan, hammered dulcimer, and composition. He is currently an instructor at the Maryland Music Academy.
